Stuttgart Ballet: Creations XIII-XV
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
The highlight of the evening was Vittoria Girelli’s Sospesi, an effective visualisation of ideas and coming together of music and movement
A hugely enjoyable interpretation told with lots of imagination. A convincing telling that sends you away with a big, happy smile
A fine showcase of young talent including Heinz Bosl Prize winner Serhii Zharikov with Kaela Tapper in Uwe Scholz’s sublime Sonata
Silent Screen and Schmetterling sit together comfortably, sharing Lightfoot and Léon’s distinct movement vocabulary and strong sense of theatricality
Prelocaj deals with love and attraction, sexual desire and seduction. It’s very much a ballet of suggestion, of desire that’s only realised in Act III
A telling that captures beautifully the poetry of Hardy and the depth of the novel. It sweeps you away in its story and characters.
A somewhat mysterious, weird evening. Dark yet humorous. And, while it has death at its core, perhaps, in its own way, even more a show about life.
The show is colourful, hi-tempo and non-stop. It’s amazing what you can do with a few large boxes, some imagination and a dash of the ‘inner child.’
Momoko Hirata and Mathias Digman lit up the stage in the grand pas de deux. ‘Polished’ does not do them justice. Hirata sparkled like a cut diamond
A collage of recollected impressions and sensations, and to a lesser extent emotions, of the refugee experience
A joyful two hours. Light, entertaining and wonderfully optimistic. And sometimes, that’s precisely what’s needed