Mayerling: A world that breaks apart up close, and the body language of ruin
Kenneth MacMillan’s ballet is built from fractured needs, twisted intimacies and bodies that say what the characters themselves cannot
Kenneth MacMillan’s ballet is built from fractured needs, twisted intimacies and bodies that say what the characters themselves cannot
a stylistically rich evening, the work ranging from classical and contemporary ballet to traditional Chinese dance, all excellently performed
The dancers use kinetic, fluid movement, which is deeply controlled, deliberate and strikingly graceful. Each coveys a sense of humility…
Tsai Meng-ting (蔡孟廷) and Lai Yi-fei (賴怡菲) in a programme of interesting choreography, and superb interpretation and ownership of roles.
The choreographic mix, emerging dancers alongside dancing stars, is what makes Ballet Nights a unique experience… the dancing was an absolute joy
An excellent triple bill… a superb evening, one that showed, once again, that the NSCD is still at the top of the dance training tree
Taiwan National Symphony Orchestra (國家交響樂團, NSO) and Dance Forum Taipei (舞蹈空間) in a magical show that delights from start to finish.
Pite’s Body and Soul (Part 1) demonstrates all the depth and subtlety which we have come to expect from this most exciting of choreographers
Lien Sheng (瀲生) included nine very varied student choreographies, sandwiched between two quality professional works by members of faculty
Like a musical without a plot, one dance routine follows the next without any connection. But this is easily made up for by the exuberant dancing
A cornucopia of amazing dance on an evening that just kept giving. Peck is a force of nature who never losers her high-octane energy