Badisches Staatsballett: The Girl & the Nutcracker
Bridget Breiner shifts the action to early 20th-century America. The all-new choreography is refreshingly classical, the ballet a showcase for technique
Bridget Breiner shifts the action to early 20th-century America. The all-new choreography is refreshingly classical, the ballet a showcase for technique
Momoko Hirata and Mathias Digman lit up the stage in the grand pas de deux. ‘Polished’ does not do them justice. Hirata sparkled like a cut diamond
It is great fun; a show that will delight dance lovers and music lovers, young and old alike. The time flies. The dance comes pretty much non-stop
Absolutely and unashamedly classically-focused. Even the student choreography. The contemporary pieces were clearly classically underwritten too
Her new piece will form one third of Generations: Three Short Ballets, a trio of works created by choreographers from across the generations
ENB’s 2023-24 season will feature new ballets by Andrea Miller and David Dawson, plus the UK premiere of Johan Inger’s Carmen.
Akira Akiyama allies strength with a lovely soft delicacy. She finds remarkable lightness is everything as she speaks with her whole body
A Nutcracker that provides all that is expected in an entertaining evening that left the audience very happy.
Julia Conway, still only a Soloist, fully showed her potential, presenting a Sugar Plum Fairy variation with many new challenging technical steps
By Edward Clug, with sets and costumes by the acclaimed Jürgen Rose. And it’s the 85-year-old Rose’s designs that stick most in the memory
Complex and a real puzzle, for a while, Spuck’s ballet is very disorienting although it does become increasingly clear as the familiar starts to emerge