Royal Ballet School Summer Performance
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
While the seventh edition of Ballet Nights may have had the suffix ‘007,’ it fell short on James Bond-style thrills.
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
A pleasing, traditional Swan Lake, but one that lacks characterisation and struggles for ‘wow’ factor.
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
The varied programme of mostly excerpts from longer pieces delighted the enthusiastic audience on a summery Sunday evening
The standard was uniformly high although, as in the past couple of years, it was the men, who got two pieces all to themselves, who thrilled
Most fun was Arthur Pita´s Death Defying Dances. Full of dark humour and fabulous music, it is an absolute delight.
One couple, Breanna Foad and Thiago Pereira stood out, and it was no great surprise when Foad was named Emerging Dancer 2024