Dada Masilo’s Hamlet
While interesting, and despite one striking solo for Ophelia, this is a Hamlet that only very occasionally gets close to the depth of the original
While interesting, and despite one striking solo for Ophelia, this is a Hamlet that only very occasionally gets close to the depth of the original
A masterclass in building humour through movement… Sunny, innocent, orderly, and just absurd enough to keep it from becoming sentimental.
Demonstrated lots of quality in an excellent triple bill of diverse influences that also showed the versatility of the dancers.
What remains most impressive is the calibre of the dancers. They show athletic power, musical responsiveness, sharp ensemble work and superb technique
The limitations of only focusing on sexual relationships are all-too apparent. People are so much more than their sexuality but you wouldn’t think it
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
Woking TheatreMay 6, 2026 Carlos Acosta’s Carmen has heat in flashes, but rarely enough pressure to make the evening catch fire. The problem is partly musical. The score suits each scene well enough, but the sections do not bite into one another. What should gather as fatal momentum often feels episodic. A tavern scene with … Read more
A solo work that traces Francis’ journey in dance, moving between performance and personal reflection.
Irresistible. The joke never feels thin, because the dancing underneath it is so alive. Technique is there, ego is there, bad behaviour is there
Contemporary dance, krump, and street-based forms intersected and overlapped in an evening that reflected the diversity of hip hop today.
The Juilliard School in New York and Rambert School in London, the wizardry of MAM + AISOMA and choreography by Wayne McGregor