Royal Ballet School Summer Performance
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
It may have been compulsive and memorable, but that that doesn’t go hand I hand with pleasant… certainly different, though.
The festival’s dance evening this year saw the return of Ballet Black in a double-bill of If At First and A Shadow Work, plus Jacob Wye’s Perennial
Kristen McNally’s choreography tells the story clearly, making the most of each dancer’s abilities. The ensemble dances are delightful too.
Gala fireworks don’t come much brighter than Flames of Paris and the performance from Viola Pantuso and Shale Wagman was a winner
The seventeen young dancers, including two who can’t be in their teens yet, all already hip-hop dancers of calibre… sweep the audience away
I can’t think of a single thing that I would want to change… The dancing, choreography and immersive visuals are all outstanding
Carousel, Allegro, Oklahoma! A fine evening, full of variety, colour and wonderful dance; a couple of hours to put a smile on anyone’s face
The programme of four well-chosen works by director, José Martinez, showed a company of versatile young professionals.
The company presented four works with a reconstruction of Frederick Ashton’s early Foyer de Danse that held the most interest.
Marco Goecke’s Blushing is a perfect vehicle for the energy and commitment that the company has in spades.