Being human, coming together
“It’s a very personal show for me,” says Kevin Finnan about Hidden. “I have very strong feelings about the things we see around the world.”
“It’s a very personal show for me,” says Kevin Finnan about Hidden. “I have very strong feelings about the things we see around the world.”
Brücki 235 came into being after surveys revealed a dire lack of rehearsal space and performance opportunities for dance and theatre artists
Choreographer-director Carlos Acosta, and video and set designer Nina Dunn, talk about Acosta Danza’s forthcoming new Nutcracker in Havana
As he guests in Cape Town, Maggie Foyer speaks to Brandon Lawrence as he weighs up the pros and cons of making career defining choices
David Mead talks to Wubkje Kuindersma and Seeta Patel, two of the five female choreographers for BRB’s new ‘Luna’
The auditorium is a model of versatility with many different configurations. There’s even a properly sprung dance floor in the foyer
Ahead of their debuts as Akram Khan’s Giselle, ENB’s Francesca Velicu and Ivana Bueno spoke to Maggie Foyer about getting into the role.
A look ahead with Nancy Hirst (Icon Theatre) and Amina Khayyam (Amina Khayyam Dance Company) to Ghost Ships at Historic Dockyard Chatham
Ahead of its extensive UK and overseas tour, David Mead talks to London City Ballet artistic director Chris Marney about the company’s relaunch.
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
It will be another step on his choreographic journey as he creates the contemporary work for 2024 finalists, Anna Ciriano and Shunhei Fuchiyama