Features - SeeingDance

Birmingham Royal Ballet’s new Hotel promises darkness with a dash of humour in a meeting of dance and film

October 2, 2022 by David Mead

A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou

September 29, 2022September 27, 2022 by David Mead

The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.

September 3, 2022 by David Mead

Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute

August 10, 2022 by David Mead

A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.

August 3, 2022August 2, 2022 by David Mead

Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival

June 11, 2022 by David Mead

“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”

June 8, 2022May 31, 2022 by David Mead

A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.

April 8, 2022 by David Mead

Looking ahead to their appearance at Let’s Dance International Frontiers 2022, Artistic Director Eduardo Vilaro talks about the company and its work

April 5, 2022 by David Mead

This year, Stre@m will focus on work from Singapore, Indonesia, Thailand and South Korea, but he hopes more Asian countries will join next year.

April 8, 2022April 3, 2022 by David Mead

A look ahead to LDIF 2022 in Leicester, with Pawlet Brookes, CEO and Artistic Director of presenters Serendipity

March 13, 2022 by David Mead

“I want the audience to see themselves. Sometimes memories hit us…creating ripples.” It’s the heart that makes a piece come alive, she adds.