Dance up close and personal: Jamiel Devernay-Laurence talks about Ballet Nights
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf
David Mead talks to the artistic director of Ballet Nights, a new season of dance this autumn at Lanterns Studio Theatre in London’s Canary Wharf
“The worst thing is regret. And it’s an opportunity I can’t ignore. I don’t want to be wondering, ‘What if?’”
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
“We are not treating them like kids. [They] have to put on a large-scale West End performance. We’re asking a lot of them, but they are so rising to it.”
She explains that the work explores the complex layering of the various forms of decay, fading and loss to which we are forever exposed…
We talk to Ruth Brill artistic director of London Children’s Ballet ahead of its performances of Snow White at London’s Peacock Theatre
A conversation with Les Ballets Jazz de Montreal artistic director Alexandra Damiani. “Dance Me allows Cohen’s music and songs to shine.”
A conversation with Debbie Norris, founder and artistic director of Ballet Folk, whose The Tears of Jenny Greenteeth is on in London on February 2
The extended version has kept the upbeat, uplifting feel of the original, with the nature of the music is as important as ever, she says
“It all began with a dream, I guess,” says Putrov, who explains that then, as now, the idea was to showcase the development of men in ballet
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work