Dance Me celebrates Leonard Cohen and his music
A conversation with Les Ballets Jazz de Montreal artistic director Alexandra Damiani. “Dance Me allows Cohen’s music and songs to shine.”
A conversation with Les Ballets Jazz de Montreal artistic director Alexandra Damiani. “Dance Me allows Cohen’s music and songs to shine.”
A conversation with Debbie Norris, founder and artistic director of Ballet Folk, whose The Tears of Jenny Greenteeth is on in London on February 2
The extended version has kept the upbeat, uplifting feel of the original, with the nature of the music is as important as ever, she says
“It all began with a dream, I guess,” says Putrov, who explains that then, as now, the idea was to showcase the development of men in ballet
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute
A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”