Carlos Pons Guerra’s Mariposa, an inclusive reimagining of an opera classic, finally gets its premiere
Eighteen months on from the original planned first night, David Mead talks to the very happy choreographer as Mariposa finally reaches the stage
Eighteen months on from the original planned first night, David Mead talks to the very happy choreographer as Mariposa finally reaches the stage
An evening to celebrate: the traditions of classicism driven forward by innovation, and free to watch on demand
A disjointed journey through recollections of a life. As Eve, the outstanding Karlina Grace-Paṣeda wanders ghost-like through them
The Fix, brings a complete change. I found it remarkably compelling, Dancers embrace. Touch is tender. Moments hint at love, loss and shared experience
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.
Ivan Putrov assembled some of his country’s finest dancers alongside others in an ambitious and largely enjoyable evening
Totally committed performances… awesome animations and effects… theatre magic
A deeper, slightly darker look at what is usually a pretty lightweight ballet. A fine production full of energy and brilliant designs
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style
In ‘remains’, time passes normally but also appears to freeze, quicken, expand and slow down, repeat, reverse, even disappear
A show driven by the raw emotion of recent experiences but with an upliftng end. Kevin Finnan promises audiences will relate to what they see and be moved by it