The Russian State Ballet of Siberia: Cinderella
A traditional spin on the well-known story and, although it takes a while to get going, the ballet makes a pleasant and sometimes interesting evening
A traditional spin on the well-known story and, although it takes a while to get going, the ballet makes a pleasant and sometimes interesting evening
Richard Chappell’s Infinite Ways Home resumes touring in March. David Mead caught up with him to discuss the piece, and his approach to dance
Highlight was Elena Svinko’s quite outstanding Odette/Odile. Framed by the severe faces of her swans, she was a shining jewel and quite sublime
Superb designs and a revitalised company on top form. Technical fireworks and top-notch light comedy that will delight all. A winner all-round.
Whether the expressionism of Marco Goecke, modern classicism of Hans van Manen, or quirkiness of John Inger, they make dance come truly alive
There are moments that are quite brilliant… funny, tender, dramatic. The show does zip by. But I suspect will delight and frustrate in equal measure
The intimacy of the eccentric Coronet Theatre suited this company of six dancers from Singapore and its programme well
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
It remains an unparalleled piece exploring relationships between the sexes…full of ideas and observations that have not lost their brilliance.
The programme brims with life and love of dance. It has broad-based audience appeal with plenty of virtuosity, competition and depth.
An evening out, but with an evening in feel. It’s cosy and comfortable. Dance and a story to curl up with, that makes you laugh, that makes you feel.