“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
The ensemble are terrific as they lead us into their dystopian world. There is some super imagery. But it is utterly perplexing
A varied triple bill of works by Yin Yue, Barkha Patel and eddy kwon that all combine the contemporary with the traditional
An extraordinary work that strips all external decoration and detail to find a precious kernel that is terrifying in its purity
It really does feel like the performers and rice are engaged in a duet… Our Labyrinth creates a sense of peace. It is a very absorbing experience.
While most sections capture the attention, the way the work wanders around with little obvious link between them, makes life difficult for the viewer
Features the intensity of Shechter’s signature ensemble work to an eclectic score that runs from his own throbbing creations to J.S Bach and Frank Sinatra
Drama and humour, a clear narrative, great characterisations, excellent corps de ballet scenes, and in Annalise Wainwright-Jones, a wonderful Anne
A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.
A sometimes gritty and thought-provoking evening, but also one that ends colourfully and joyously
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure