English National Ballet: Rhythm Riot
English National Ballet are back on form with Rhythm Riot, a cracking triple bill comprising no less than two world premieres
English National Ballet are back on form with Rhythm Riot, a cracking triple bill comprising no less than two world premieres
A feast of heartbreak with excellent dancing and drama at its best. Each act concluded with roaring applause, a rare thing in Munich
A new book looking at the work of a choreographer who has largely avoided the mainstream, her creations, inspired by myriad influences, tending towards the experimental.
It was good to see that Alvin Ailey American Dance Theater is in such excellent form and so connected to its roots.
“Awakening, spiritual searching, visions of heaven and the complications of human desire, before Revelations arrived with sorrow… sinners, salvation”
Certainly brought the crowds out. The free and unticketed performances at the Queen Elizabeth Olympic Park were packed out, with people taking every possible vantage point.
The dancing is powerful, the ensemble injecting a sense of great scale. As befits a work inspired by technological developments. the backing projections are impressive. The score by Sam Shepherd (aka Floating Points) is terrific
McRae’s attack, Lamb’s nerve, Nicholson’s theatrical instinct and Vassilev’s swagger feed off one another… pleasure keeps spilling outwards.
An evening that shone with optimism and hope, an evening when young people showed us a better world working together creatively in an atmosphere of respect and harmony to deliver a vibrant programme of dance
Following a live performance in the town, an exhibition in KIngsbridge, South Devon encourages all to come and explore Ekleido’s movement, choreographic ideas and creative process
Moving between contrasting choreographers, styles and emotional worlds, all the dancers, all 16 or under, performed with flair, confidence and impressive technical ability.