Focus Dance Company 2024
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
A triple-bill of Balanchine’s Serenade, Forsythe’s In the Middle, Somewhat Elevated, and the new Strangelove by Andonis Foniadakis
Could human dancers have a symbiotic, cybernetics-like relationship with machines, the outcome being a new form of contemporary dance?
It’s one of those very rare pieces that doesn’t just grow on you with repeated viewings but that seems to reveal more and spark new thoughts with each revisiting
In Un-form, all three dancers are quite compelling, their dance amazingly detailed, superbly performed and clearly with great personal meaning
The total commitment of the dancers produces a torrid intensity that sears across the footlights.
Quite simply, a brilliant piece of theatre, one where the performers don’t move to music but dance the words, physically expressing them in every way
Danced to piano and string compositions by Valentin Silvestrov, and traditional folk music, it’s a picture of the people behind the headlines
Dance, physical theatre and circus to the National Theater’s black box stage in three, very different, 30-minute works.
Including ‘Sky ~ World challenge in Taiwan~’ by Reisa Shimojima from Japan. A serious theme for sure, but utterly mad and utterly brilliant
Over three packed days, artists from 15 countries presented 74 works at the company’s Wan Theater and 16 less traditional venues.