A hip hop Rite of Spring. Tanzkomplizen’s A Human Race: The Rite of Krump
Right from its premiere in 1913, ‘Sacre’ has broken with tradition, challenging listeners and viewers, often very successfully. And it does here too
Right from its premiere in 1913, ‘Sacre’ has broken with tradition, challenging listeners and viewers, often very successfully. And it does here too
It demands precision. It demands total commitment. And it got all three in full from Gauthier Dance. The beat never stops, and neither do they.
Glen Tetley’s Voluntaries is intensely moving. The dance soars literally, in its cruciform overhead lifts, and in its spirituality.
“Very much rooted in the actuality of people as human beings… a journey… through the development of identity and who we are.
The show is rammed with instantly hummable melodies. What dance too. The chorus-line, tap, ballroom and comedy numbers just keep giving.
“Touching and uplifting… An intimate, tender, beautifully drawn portrait of mother and son… It pictures a relationship that not only survives but thrives”
Six new pieces performed by the third-years, alongside two award-winning works by noted choreographers danced by the second-years.
An super evening with the high spots being the clownery and of Kylián’s Sechs Tänze and the classicism of Wheeldon’s Within the Golden Hour.
Jammed with great music and great dance, it’s a show that will leave you with a big grin on the face and humming its fabulous tunes
A fine evening and a fine initiative that deserves to succeed. Yet more evidence of the excellent work Carlos Acosta is doing in Birmingham
Andrew McNicol is a choreographer who clearly understands… the music he is using. He obviously also very much believes in classical ballet