Varna International Ballet: Romeo and Juliet
While certainly a romantic story of two lovers, Romeo and Juliet is also a tale haunted by death, which Bobrov emphasises throughout.
While certainly a romantic story of two lovers, Romeo and Juliet is also a tale haunted by death, which Bobrov emphasises throughout.
As if being able to juggle and dance weren’t enough, Sean Gandini and his company have added magic to the mix.
an emotional evening of dance. From the bittersweet melancholy of Rudi van Danzig’s Four Last Songs to the full-blooded passion of Mthuthuzeli November’s Fools with a fun interlude from Kristin McNally between, it was an evening to engage heart and soul.
The return of Black Sabbath – The Ballet and Don Quixote, and of The Green Table in a fabulous triple bill, plus a gala for Sir Peter Wright
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
“A page-turningly good read” as “Fullington and Smith… invite the general and specialist reader alike to rethink nineteenth-century ballet.”
The happy grins and overheard comments during the interval told you all you needed to know. Mary Skeaping’s Giselle is wonderful, a real gem.
“It’s a very personal show for me,” says Kevin Finnan about Hidden. “I have very strong feelings about the things we see around the world.”