The Royal Ballet: Like Water for Chocolate
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
Nemesis is a real juicy nugget of a work, one that makes you want to see more of Ihsan Rustem’s choreography and Ballett Augsburg.
Not only a super demonstration of the range of his output, but the title encapsulates neatly his journey from classical ballet to musical theatre.
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
A marriage between dance, conservation and wildlife experts. “The dance…was largely very pleasing… The dancing right out of the top drawer.”
The opening performance was a triumph for Viola Pantuso in the title role. She felt real. Alert and bright-eyed… always gentle and courteous
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
In the latest of our occasional series, Melissa Hamilton opens her dance locker, revealing a special moments and ballets from her career to date.
Like fine wine it’s enhanced with age, finding pole position as a heavyweight, dramatic ballet set to Joby Talbot’s music
New and unfamiliar works rub shoulders with old favourites, with Sergio Bernal’s The Thinker the unexpected highlight of a super evening