Paris Opera Ballet: Don Quixote
Ines McIntosh carried the performance… She never faltered, blending French elegance with something rarer on the Parisian stage: fire
Ines McIntosh carried the performance… She never faltered, blending French elegance with something rarer on the Parisian stage: fire
In South, Toru Shimazaki draws on elements of aboriginal dance and music, giving them a contemporary sentiment, but never loses sight of their soul.
The piece sets out to challenge and empower people to make environmental changes now. That it achieves its aims is unquestionable.
If Maguy Marin has a signature work, May B. is surely it. Ahead of its coming to London, the choreographer Marin tells David Mead about the piece.
What a long way we have come since the first flamenco festival in 2003. A very pleasing prelude to this year’s festival in a couple of months.
In what is the best year yet for diversity, the nominations are spread across a record 29 separate companies
A short evening with plenty of variety, as ten choreographers, mostly still dancers themselves, were given the space to experiment.
The sheer delight of the performers washed across the footlights, embracing the audience in a continuous hug
The evening of largely student work consisted entirely of ensemble creations with lots of excellent committed dancing
A season presenting over 30 artists. In Second Body by Anarchy Dance Theatre, Chao Ting-ting was beautifully graceful and fluid
A conversation with artistic director Marlon D. Simms about the company, and what Let’s Dance International Frontiers audiences can expect