Staatstheater Nürnberg Ballett: Maillot/León-Lightfoot
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.
Les Noces and Stop-Motion may only contain around an hour’s dance, but it proved an evening laden with emotion and intensity.
Mackenzie Brown and Henrik Erikson delivered in spades. Brown’s Juliet seemed to surf the waves of emotion that were flooding through her body
Top quality dancing… But perhaps best of all, everything was very classically rooted, with pointework very much to the fore for the women.
This is a group of fierce individuals, each with their own style and story, and yet their ensemble work is outstanding
In theatres, performance spaces, public squares and schools, with everything geared towards a young audience
Invariably a wonderful evening’s dance… this year’s gala was also a farewell, and a thank you, to outgoing artistic director Bridget Breiner
Perhaps it’s best not to overthink it and rather just sit back and enjoy the fine dancing and the many nuances in the work’s sometimes strange imagery
The dancers are outstanding. Their coherence was stunning, creating visual effects by moving as a group, shaping and reshaping
A very special evening at Sadler’s Wells as nine youth dance companies from all over England came together in an initiative to celebrate creativity
It may be abstract in the sense of being non-narrative… but Dawson’s choreography and the company’s dancing reached inside and touched the soul
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history