Marianela Nuñez’s Giselle debut at the Paris Opera Ballet: a postscript
Joy Wang and Jenny Tang discuss Marianela Nuñez’ Paris Giselle, mulling over some of the things that surprised them and continue to haunt them
Ballet Nacional de España: Invocación
Escuela bolera, contemporary dance with a Spanish twist, danza estilizada, and of course, flamenco.
English National Ballet’s Swan Lake-in-the-round
Sangeun Lee had emotion in spades, her sharp-edged Odile contrasting starkly with her soft, sad, Odette
Czech visitors thrill at The Grange Festival: National Ballet of Brno in Oktetto
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
Ashton Celebrated at The Royal Ballet
The evening rounded off on a high with Rhapsody… Daichi Ikarashi did well, leaping and turning with aplomb
Alfonso Losa & Patricia Guerrero: Alter Ego
Alter Ego may begin as a performance, its initial solos tightly staged, but as it progresses, we witness a game, a provocative meeting of sorts
Sarasota Ballet brings Ashton home
The dancers gave generously, obviously enjoying their first time at the Royal Opera House
Vicente Amigo: Memoria de los Sentidos
Memoria de los Sentidos spurns the usual flamenco hierarchy to put the guitar at the forefront with a nod to cante and baille towards the end
Amina Khayyam Dance Company: You&Me, BIRD
Despite the dark and difficult subject matter that is domestic abuse, Khayyam and her five fellow dancers create some beautiful images
Rocío Molina: Al Fondo Riela
It ends with more fabulous guitar playing as Molina appears, dressed bizarrely as some kind of black and red insect. Have we strayed into Kafka?
Northern Ballet: Romeo and Juliet
The costumes are breathtaking, the lighting perfectly captures its changing moods and the dancing, of course, was excellent.