Festival of Korean Dance 2026: 99 Art Company in Ekah & Abyss
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
Both sit in the territory of grief, ritual and remembrance… An evening that was certainly distinctive, occasionally compelling, but also frustratingly limited
Continuing what seemed to be becoming a trend in Bausch’s work, it’s much more colourful and lighter in tone than many of her tanztheater creations
Woking TheatreMay 6, 2026 Carlos Acosta’s Carmen has heat in flashes, but rarely enough pressure to make the evening catch fire. The problem is partly musical. The score suits each scene well enough, but the sections do not bite into one another. What should gather as fatal momentum often feels episodic. A tavern scene with … Read more
A solo work that traces Francis’ journey in dance, moving between performance and personal reflection.
Irresistible. The joke never feels thin, because the dancing underneath it is so alive. Technique is there, ego is there, bad behaviour is there
Contemporary dance, krump, and street-based forms intersected and overlapped in an evening that reflected the diversity of hip hop today.
“The programme did not take me anyway near heaven, but it presented a roster of very talented, young dancers”
The Juilliard School in New York and Rambert School in London, the wizardry of MAM + AISOMA and choreography by Wayne McGregor
A new work from Tsai Po-cheng (蔡博丞) that responds to the turmoil facing the world and the ‘net’ of politics, media, emotions and more that divide us.
A joyous evening of South African music, song and dance with Mthuthuzeli and Siphesihle November… A rare meeting of talents…
It takes place in an austere and dark enclosure… brings associations with a prison, and as the piece proceeds, perhaps the prison of a person’s life.