Reviews 91 - SeeingDance

A conversation in movement: Modeun Company in Tete-A-Tete

January 21, 2021 by David Mead

Fascinating and atmospheric

The consequences of love: Vakhtangov Theatre’s Anna Karenina

June 20, 2021January 12, 2021 by Charlotte Kasner

Deeply theatrical, elegant and emotionally compelling

Ballet du Capitole Toulouse: In the Footsteps of Nureyev

June 20, 2021January 8, 2021 by Charlotte Kasner

Eighty minutes of stylish, sophisticated, elegant choreography

From Berlin With Love 2021: Staatsballett Berlin New Year Gala

January 6, 2021 by David Mead

Three shorts by Arshak Ghalumyan and Ross Martinson; Swan Lake and Nutcracker pas de deux

We flow, we change shape, we remain resilient: Ballet Black in Like Water

June 20, 2021January 5, 2021 by Maggie Foyer

A potent poetic moment expressed in movement

Stuttgart Ballet in Marcia Haydée’s The Sleeping Beauty

June 20, 2021January 1, 2021 by Charlotte Kasner

A visual delight

Exuberance and fine dancing in The Tokyo Ballet’s Don Quixote

December 29, 2020 by David Mead

A ballet that’s fun and guaranteed to lift the spirits

A Christmas selection box: Scottish Ballet in The Secret Theatre

December 28, 2020 by David Mead

Online December 22, 2020 David Mead Deprived of being able to perform live this Christmas, Scottish Ballet opted not for simply streaming a film of an already in-the-can production, or even for a slimmed-down Nutcracker. Instead, artistic director Christopher Hampson teamed up with designer Lez Brotherston and film-makers Jess and Morgs (Jessica Wright and Morgann … Read more