Tanztriennale: Counter Balance and a ballet-hip hop fusion
As Reiko Ohta and Jospeh Simon play with the attitudes and aesthetics of the two dance forms, Routines doesn’t just bring them together, it blends and fuses them.
As Reiko Ohta and Jospeh Simon play with the attitudes and aesthetics of the two dance forms, Routines doesn’t just bring them together, it blends and fuses them.
Act One is based on Carroll’s Alice in Wonderland, Act Two on Alice Through the Looking Glass. In a ballet of around two hours dancing, it’s a lot to pack in.
It is a complex story to put into dance, but Valga successfully reduces the action to the essentials: sex, drugs, two murders and an array of music…
“The programme did not take me anyway near heaven, but it presented a roster of very talented, young dancers”
It takes place in an austere and dark enclosure… brings associations with a prison, and as the piece proceeds, perhaps the prison of a person’s life.
The tap does not sit apart from the other styles; rather, it seems to emerge from within them
Like a musical without a plot, one dance routine follows the next without any connection. But this is easily made up for by the exuberant dancing
Twice annually, the matinées are very popular. They present the Bayerisches Junior Ballet and Ballett-Akademie der Hochschule für Musik und Theater
A rollercoaster of sheer fun, erotic display and a quiet moment of reflection in a programme of seven pieces by seven choreographers all to classical music.
Onegin is always big drama – a tale in which the characters turn into human beings, real people who hit you viscerally with all their anguish and throes
A tale of love and violence, of belonging to or being expelled, of life and death, all taking place in the liminal space between reality, dream, memory…