Kylián, Ek and Forsythe at the Royal Swedish Ballet
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
Forsythe’s In the Middle, Somewhat Elevated is a show stopper; choreography and music converging on the cusp of tradition redefining the arts
Ballet Black continues to lead the pack with two quality, new commissions, very different in style but balancing neatly.
A programme that sees Birmingham Royal Ballet moving into the top league. Alessandra Ferri’s beauty permeates the stage like a heady perfume
A knockout. The tempestuous dance, coming straight from the heart, makes the blood and sweat tangible.
Torsos ripple like waves and arms stretch with sinew-cracking intensity, the body language is guarded and the knot of tension…never fully releases
A double bill of works startlingly new, meticulously structured given in performances that were exhausting, amazing and entertaining
Engaging and highly enjoyable. Avoid the words, enjoy the dance and never underestimate the fun factor!
An evening to celebrate: the traditions of classicism driven forward by innovation, and free to watch on demand
Totally committed performances… awesome animations and effects… theatre magic
The plank is a sturdy piece of stripped pine and the men, two everyday guys. Well, not quite…
The choreography is innovative and exciting and has a sensitive partner in the music conjured up by Rockid Lee