Stylish and dark. Rambert in Peaky Blinders: The Redemption of Thomas Shelby
Full of familiar moments and familiar characters in familiar settings, and sometimes surprisingly deeply thoughtful
Full of familiar moments and familiar characters in familiar settings, and sometimes surprisingly deeply thoughtful
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
Old traditions – dance, music and kanthas – are used in new ways to express the very modern experiences of Asian women during the pandemic
Three works themed on war, hope and power, the earliest, Kurt Jooss’ The Green Table from 1932, as perennial as war itself
A feast of dance, music and colourful costumes with the added bonus of Madeleine Woo and Dmitry Zagrebin in the roles of Kitri and Basilio
Although each new turn provides [her] body with new ways to think and move, in Mclean’s world freedom is also a vulnerable act.
A glorious production that reminded us that, against the all odds, the arts can carry on
I felt I was in one space having two separate experiences: one ‘drama’ with a very limited script, and one dance
Another de Keersmaeker ride and a half. Full of questions, many unanswered. Which is why I, and I imagine many others, keep returning
Their en travesti brand of ballet humour, poking affectionate, gentle fun at traditions and stereotypes, still makes for an amusing, enjoyable evening
As good as the gala is, dance and dancers have moved on. To really understand Nureyev, time spent with DVDs and YouTube would be well rewarded