Close Up by Noé Soulier
A collaborative piece between six dancers and five musicians… Soulier explores the relationship between live music, live video and live dance.
A collaborative piece between six dancers and five musicians… Soulier explores the relationship between live music, live video and live dance.
Anna Rose O’Sullivan stole the performance with depiction of a headstrong, intuitive, naïve, madly in love teenager
Hybrid… Thumping energy… pulses with exciting, creative, and innovative steps, lifts, throws and floor moves.
In Minotaur… choreographer Kim Brandstrup has all he needs in three remarkable dance artists and an eloquent dance language.
an emotional evening of dance. From the bittersweet melancholy of Rudi van Danzig’s Four Last Songs to the full-blooded passion of Mthuthuzeli November’s Fools with a fun interlude from Kristin McNally between, it was an evening to engage heart and soul.
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty
Anna Rose O’Sullivan projected a gentle, modest, sweet Cinderella… her dance with the broom was wonderfully wistful and full of longing
Beyond its generous offering of dance, sound and humour, Ruination feels much defined by its extremely lovable cast
Wayne McGregor’s MADDADDAM certainly challenges… It’s a ballet that just needs time to percolate through one’s consciousness.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
For all the good work that goes before, the undoubted highlight of the evening is Crystal Pite’s The Statement.