Edinburgh International Festival
Tense and compelling, brave and innovative: Scottish Ballet in The Crucible
Never loses sight of the very real human cost at its centre
Yang Liping brings the cycle of life, death and rebirth to the Rite of Spring
A Tibetan Buddhist perspective on the classic coming to Sadler’s Wells and the Edinburgh International Festival
Powerful and symbolic: Akram Khan’s Xenos
A suffusing of the body into its environments and narratives
Great dancers but something missing: Nederlands Dans Theater
The choreography shows them as excellent dancers, nothing more
A year in dance: 2016 in review
SeeingDance editor David Mead takes a personal glance back at the dance he saw in 2016.
Games and rituals: Raw at the Edinburgh Festival
It is the children of Raw that hold the performance together