Lost Dog’s A Tale of Two Cities
There are moments that are quite brilliant… funny, tender, dramatic. The show does zip by. But I suspect will delight and frustrate in equal measure
Determinedly different: T.H.E Dance Company in PheNoumenon
The intimacy of the eccentric Coronet Theatre suited this company of six dancers from Singapore and its programme well
The urgency to live: Léa Tirabasso’s Starving Dingoes
Although human, there is an animalistic element to much of the choreography, which has a primitive feel to it.
The inventiveness of Pina Bausch’s Kontakthof still shines brightly
It remains an unparalleled piece exploring relationships between the sexes…full of ideas and observations that have not lost their brilliance.
Acosta Danza, 100% Cuban
The programme brims with life and love of dance. It has broad-based audience appeal with plenty of virtuosity, competition and depth.
An evening on the sofa: DONUTS by Extended Play
An evening out, but with an evening in feel. It’s cosy and comfortable. Dance and a story to curl up with, that makes you laugh, that makes you feel.
Yukon Ho!
Amid the humour, there is an unexpected poignancy to Yukon Ho! that makes it a meaningful hour or so and gives much pause for thought
A chilling tale of love and revenge in dance theatre at its very best: Phantoms by Mark Bruce Company
Phantoms isn’t just a trip to the dark side, it’s a trip to its deepest depths. It’s hauntingly beautiful, cinematic dance theatre, and is quite simply terrific
Birmingham Royal Ballet 2022-2023 plans
Includes the UK premiere of Uwe Scholz’s best creations, his dramatic setting of Beethoven’s vibrant Seventh Symphony alongside world premieres and revivals
Jessica Lang’s Children’s Songs Dance lights up an ABT Studio Company showcase
Jessica Lang’s ballet combines childlike innocence and playfulness with striking elegance. The choreography fits Chick Corea’s music like a glove.
Federico Bonelli to be the new Artistic Director of Northern Ballet
“Northern Ballet has rightly been renowned for its bold approach to narrative ballet, and it is an honour to build on this legacy.”