Innovative, traditional, fun: Carlos Acosta’s Nutcracker in Havana
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face
There is a lot to like. It delights in so many ways. Filled with colour and energy, it’s guaranteed to put a smile on the face
A interactive show and a tale of seasons gone awry and the power of children that will delight all ages.
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
A compelling celebration of female bravery and heroism focusing on stories from literature, folklore and Urja Desai Thakore’s own family history
Brücki 235 came into being after surveys revealed a dire lack of rehearsal space and performance opportunities for dance and theatre artists
“…Physical expression that hit me like a visceral experience. The performance jabbed deep into the emotions…”
Fairy Tales reckons with delusions; delusions of our past, or perhaps the tales we tell ourselves to survive the present.
The company’s eighteen dancers, all multi-talented, command the stage, the audience, and leave an indelible impression
For all the good work that goes before, the undoubted highlight of the evening is Crystal Pite’s The Statement.
A marriage between dance, conservation and wildlife experts. “The dance…was largely very pleasing… The dancing right out of the top drawer.”
Choreographer-director Carlos Acosta, and video and set designer Nina Dunn, talk about Acosta Danza’s forthcoming new Nutcracker in Havana