The Royal Ballet in Balanchine: Three Signature Works
It’s been a while since the Royal Ballet presented a Balanchine evening but it proved well worth the wait to enjoy three of Mr. B’s signature works.
UK
Ballet Nights 007
While the seventh edition of Ballet Nights may have had the suffix ‘007,’ it fell short on James Bond-style thrills.
Saburo Teshigawara: Waltz
Classical formality is trumped by the emotional surge of Romanticism as the wild passion of the triple meter overwhelms.
Northern School of Contemporary Dance: VERVE 2025
As an ensemble, they moved as one when required to do so. Individually, they were interpretive and wholly engaging.
We Wear Our Wheels With Pride by Robyn Orlin
A wonderfully energetic, colourful, and creative piece of theatre based on Zulu rickshaw drivers during South Africa’s apartheid years.
Close Up by Noé Soulier
A collaborative piece between six dancers and five musicians… Soulier explores the relationship between live music, live video and live dance.
A journey to the stars: The Little Prince
“A glorious journey through the improbable, which succeeds in taking the audience on a magical fantasy journey across the stars.”
Maliphantworks4
The simplicity of Maliphant’s new solo, In a Landscape, is awe inspiring… the austerity of the sculptured shapes harks back to classical Greek art.
The Royal Ballet: Romeo and Juliet
Anna Rose O’Sullivan stole the performance with depiction of a headstrong, intuitive, naïve, madly in love teenager
Sparkle, fireworks: Ballet Icons Gala 2025
A terrific evening. It was also one that probably contained more chances to see fouttées than most in the audience get in a year. No one disappointed.
In The Bushes by Léa Tirabasso
“A strange piece; and strangely compelling… thought provoking, at times humorous, highly original, if abstract-feeling dance”