Dark days, inner voices and coming through: Nobody by Motionhouse
With its digital imagery, shape-shifting set and athletic, highly physical choreography, Nobody is spectacular
Reviews
The Place Korean Season: W.A.Y (re-work) by Sung Im Her
Engaging and highly enjoyable. Avoid the words, enjoy the dance and never underestimate the fun factor!
Coming together again: Charlotte Spencer Projects’ Is this a Waste Land?
My experience was one of seesawing emotions: excitement and embarrassment, exhilaration and awkwardness
English National Ballet’s Emerging Dancer: A Celebration
An evening to celebrate: the traditions of classicism driven forward by innovation, and free to watch on demand
Memories real and invented: Rambert2 in Note To Self
A disjointed journey through recollections of a life. As Eve, the outstanding Karlina Grace-Paṣeda wanders ghost-like through them
Hofesh Shechter Company: Double Murder
The Fix, brings a complete change. I found it remarkably compelling, Dancers embrace. Touch is tender. Moments hint at love, loss and shared experience
The story of an ‘everyday ballerina’: Being a Ballerina by Gavin Larsen
Larsen doesn’t sprinkle her story with sugar or fairy dust. This is ballet as it is; as it really is. I’m not sure I’ve read another book about dance like it.
Old favourites overshadow new work: Ukrainian Ballet Gala
Ivan Putrov assembled some of his country’s finest dancers alongside others in an ambitious and largely enjoyable evening
Loughlan Prior’s The Firebird for Royal New Zealand Ballet brings the old story up to date
Totally committed performances… awesome animations and effects… theatre magic
A ballet favourite remixed: KVN Dance Company’s Coppélia
A deeper, slightly darker look at what is usually a pretty lightweight ballet. A fine production full of energy and brilliant designs
New views of a classic: Swan Lakes by Gauthier Dance
No flocks of white swans and definitely no tutus as Hofesh Shechter, Cayetano Soto and Marco Goecke look at the classic in their own unique style