Yondering into the future: The Royal Ballet School Summer Performance 2022
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
It was a super afternoon, but you really do have to pinch yourself to remind yourself that they are all still in their late-teens
A production… that can rightly be called a triumph… the dance was virtuosic, the speed incendiary and the vitality never flagged
This years’ works were thought provoking and relevant with the black humour of Sam Coren’s Story Telling for Earthly Survival, coming tops
In Frederick Ashton’s Rhapsody, Rin Ishikawa’s speed, focus and attack were phenomenal.
Lave appears as a strong yet endangered being of some sort. Her focus is engaged, her stage presence self-assertive and impactful
Many of the seven pieces were deeply thoughtful and somewhat dark in tone; a reflection of the times and recent experiences, no doubt
It perhaps isn’t surprising to see another show purporting to examine gender fluidity but El Salto could not be more different to ¡Viva!
Fantastic dance but the music… so much more than accompaniment. It’s the source of everything. The emotional incentive, the rhythmical propeller
We had been promised something new and refreshing for this long-awaited Flamenco Festival, and in ¡Viva! we certainly got it.
Linbury Theatre, Royal Opera House, LondonJune 20, 2022 Maggie Foyer In an atmosphere of celebration, enthusiasm and commitment, the students of Rambert School took to the Linbury stage (as part of the Next Generation Festival) in a programme dedicated to Lord John Sainsbury who, with his wife Anya, has given such sterling support to the … Read more
In Grosse Fuge, the boldness of the performers, an equal gender balance in numbers and spirit, aligns perfectly with the power of Beethoven’s score