A vision of a disturbing, dystopian eco-dictatorship: Daniela Marcozzi’s monstrous
What if women could be artificially inseminated with animals, plants, minerals, emotions, natural phenomena and behaviours useful to an eco-regime?
What if women could be artificially inseminated with animals, plants, minerals, emotions, natural phenomena and behaviours useful to an eco-regime?
By Edward Clug, with sets and costumes by the acclaimed Jürgen Rose. And it’s the 85-year-old Rose’s designs that stick most in the memory
Bridget Briner’s complex, impressive version that relocates the story and tells it from the perspective of Livia, one of Cinderella’s stepsisters
Modern yes, but still a ballet driven by emotions and imperfect people…and that in Act II especially, touches in all the right places
Outstandingly performed, sadness and melancholy pervades in Pérez’s intense, magnetic work that puts a new face on Shakespeare’s drama.
David Agudelo Restrepo on a work that asks how translatable is the disabled experience to those who do not inhabit bodies with such limitations
Ben Duke has found a sweet spot to set his trial of Medea. The kingdom of Hades, across the River Styx but not yet in Elysium, is just right
Complex and a real puzzle, for a while, Spuck’s ballet is very disorienting although it does become increasingly clear as the familiar starts to emerge
The setting may be updated but this is very much a Giselle still full of powerful feelings that reach out and touch
With some of Bourne’s best choreography in the detail of the variations, the passion of the duets and strong ensemble numbers.
Simply too much to absorb in one viewing, but the brilliant stage pictures and the fine performances make for total immersion in thrilling theatre