B.DANCE in The Cell: a mesmerising look at self conversation in a time of chaos
Riveting choreography. By looking at the madness we…have gone through, Tsai Po-Cheng invites the audience to let go, explore our deeper feelings
Riveting choreography. By looking at the madness we…have gone through, Tsai Po-Cheng invites the audience to let go, explore our deeper feelings
The quality and physicality of the dancing could not be faulted. The togetherness in unison moments was exceptional.
Goes far deeper than the spectacular or technique for technique’s sake. One comes out feeling awed and moved
The refurbishment hasn’t just freshened the ballet up, it’s completely reinvigorated it… The perfect pre-festive treat for old and young alike
Two of Jerome Robbins’ most popular ballets and one of Balanchine’s most enjoyable. What’s not to like?
Surreal queerness, limitless imagination, kinky fantasies, mystical visions, loud, monotonous techno, kitschy excesses…and a pinch of occultism
It was apposite to present this programme close to Remembrance weekend when we recall the human loss suffered through the madness of war.
Perhaps only a giant of choreography such as Mats Ek could so successfully pull off a reboot of such a familiar subject as The Rite of Spring
A look at the scene as it is through the eyes of the dancers past and present, while glancing back at some of the history of ballet on the island
A largely enjoyable affair, Ivan Putrov must be congratulated for pulling everything together. Here’s to another ten years.