Ballett Zürich honours Hans Christian Andersen
In Of Light, Wind and Waters, Kim Brandstrup mixes three of Andersen’s stories with a brief glimpse into the author’s working-class background
In Of Light, Wind and Waters, Kim Brandstrup mixes three of Andersen’s stories with a brief glimpse into the author’s working-class background
It is important to remember that it is inspired by Madam Butterfly, however, and is not a retelling, as difficult as I found that.
An evening of visual and emotional power, and of fireworks, that I have not seen the like of previously at the National Theater
Hard hats and seat belts are in order for this high energy, high octane, fizz-popping rollick of a show… a supersonic smash of a performance
Hybrid… Thumping energy… pulses with exciting, creative, and innovative steps, lifts, throws and floor moves.
The everyday is made ludicrous, and deeply expressive… The performers engage in games of unfathomable rules… Normal romantic emotions are exaggerated
While Varna’s production harks back to the original, it just goes to show how the many alterations over the decades have improved the ballet
A work that draws you in; a work where you can just sit and admire its power and beauty, or let you mind wander into thoughts about the cosmos
How to capture the current moment, while acknowledging that it is ever moving? NOW revisits repertoire highlights while pondering the restless present
Beings is an unusual, and surprisingly riveting, short piece. A duet danced on reinforced rice paper… Wang’s choreography is exquisite
In Minotaur… choreographer Kim Brandstrup has all he needs in three remarkable dance artists and an eloquent dance language.