Frauke Requardt and Vivienne Franzmann: Anatomy of Survival
The story revolves around a woman trying to buy a coffee, and the barista not understanding what she wanted.
The story revolves around a woman trying to buy a coffee, and the barista not understanding what she wanted.
Picasso bent women with a brush. Holbein crushed ambassadors with a skull. Cherkaoui piles his house with dancers, books, frames, bones.
A stamina-sapping piece by Clara Furey/Bent Hollow, Memphis-Jookin from Charles ‘Lil Buck’ Riley, and Johan Inger’s weird and wonderful Impasse
The quality of the dancing was excellent, with the men out-performing the women in cleanness of lines, and wonderfully precise syncopation
From the outset the piece establishes a dissonant texture, as if pulling the audience into the fissure of a dream
An hour of monologue, interspersed with freestyle dance routines but does feel like a set of unconnected routines rather than a single dance work.
Square Dance, bright and playful; Episodes, cool, detached and often regarded as Balanchine at his most abstract, and the fun Western Symphony
A well-balanced triple bill of a MacMillan classic, a European premiere from director, Cathy Marston, and a brand new commission from Bryan Arias.
Set against a backdrop of the trenches and images of men going ‘over the top’, it remains incredibly haunting. The audience was totally rapt.
London audiences will get a chance to see Juilliard students next year as the school has joined forces with the Rambert School in a year-long collaboration
The show draws on multiple art forms, being at least as much about fashion, visuals and music as the choreography; perhaps more so