Ben Duke, Artist Encounters: Making Text Move
He does not speak so much as perform. His body moves faster than his words, revealing that his mind is running at least ten thoughts at once
He does not speak so much as perform. His body moves faster than his words, revealing that his mind is running at least ten thoughts at once
Deeply ingrained with mood and imagery, the whispers of nature and history… evokes pictures of the island, its nature… and its people.
Steiner is instantly magnetic. The toes of her pointe shoes rapidly strike the stage, rooting the lower body so the upper body can flourish and ripple
A work that both fascinates and confuses, and that shows Caliban, danced strikingly by Raúl Reinoso Acanda, from a very different perspective.
David Dawson’s Four Last Songs: sleek, extremely physical and emotional… Poetry in motion, it is utterly, utterly gorgeous.
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
An exploration of the relationships between five couples… visited in turn, each conversation heard in recorded text, seen in dance.
A pleasing, if unexciting evening. While nicely danced, it would be fair to say that none of the three ballets are out of Balanchine’s top drawer.
Fall for Dance Program 3 with Hannah O’Neill and Hugo Marchand of Paris Opera Ballet, Gibney Dance, and Roderick George/kNoname Artist
Drew McOnie really has also got a good thing going with this new programme to nurture the next generation of musical theatre choreographers.
All seventeen dancers were outstanding throughout, never dropping their attention to detail, bringing intense emotion to their dancing.