No music but bags of rhythm: Carte Blanche in Cancel Bertha at the Bergen International Festival
There’s almost no musical accompaniment. But that doesn’t mean silence, because it still comes loaded with sound and rhythm, and is full of life.
There’s almost no musical accompaniment. But that doesn’t mean silence, because it still comes loaded with sound and rhythm, and is full of life.
Schonbrun delivered on all counts with beautifully placed feet, crystalline classical positions and a finely drawn reading of a complex, wilful Juliet.
In Of Light, Wind and Waters, Kim Brandstrup mixes three of Andersen’s stories with a brief glimpse into the author’s working-class background
An extraordinarily wide-ranging programme of work… in the highly atmospheric Grand Cloister of the Santa Maria Novella.
There are shows, and there are events… Royal Ballet principal Marianela Nuñez’ debut with the Paris Opera Ballet was an event with a capital ‘E’
Ines McIntosh carried the performance… She never faltered, blending French elegance with something rarer on the Parisian stage: fire
Hortense Millet-Maurin, a tiny spitfire of a dancer who has a deft touch with comedy and big eloquent eyes, was a witty Lise.
Dedicated to a dear departed friend, the work developed out of the loss and dismay he went through after her death
José Martínez has given the ballet a make-over. With the important dance intact but the libretto trimmed, it is destined to become a new favourite.
Opera House, StockholmMay 26, 2023 Kenneth MacMillan’s Manon created in 1974, continues to weave its magic providing a slew of dramatic roles against a volatile and violent backdrop. The Royal Swedish Ballet, founded in 1773 and celebrating its 250th anniversary this year, first presented the ballet in 1980. It makes a welcome return. The central … Read more
Carcaça by Marco Da Silva Ferreira; Las cosas se mueven per no dice nada by Poliana Lima; Above by Gaston Core; Crowd by Gisèle Vienne