Theater Pforzheim: Swan Lake
I can safely say that I have never felt a swan’s breath on the back of my neck. Until now. Because that’s precisely what happened during Act Two…
I can safely say that I have never felt a swan’s breath on the back of my neck. Until now. Because that’s precisely what happened during Act Two…
‘Crash: reassembled’ by Astrid Boons, a reworking of her 2020 piece, and ‘IT’S NIGHT AGAIN’, a new work by Italian choreographer duo Panzetti/Ticconi
The six works on this year’s tour certainly live up the requirement to be “original, imaginative, unique and… display unusual achievement.”
Leïla Ka’s choreography is sharply incisive and precise, requires great core strength and physicality, but also leaves plenty of space for vulnerability
The autumn matinee of the Ballett-Akademie der Hochschule für Musik und Theater München (Akademie) and Bayerisches Junior Ballett München (BJBM)
Alongside the love story, Rudi van Dantzig also shows how the blood feud between the families affects the whole community around them
A well-balanced triple bill of a MacMillan classic, a European premiere from director, Cathy Marston, and a brand new commission from Bryan Arias.
Invited by Kammerballetten, which once a year progrmames new, contemporary choreography, Léon-Lightfoot staged six new pieces and one old one
Sandborgh, Yee and Taddeo display a raw, aggressive and at times brutal male energy, which is rarely seen in choreography for women
With its works of art, stage props, costumes, photographs and archive material, the exhibition provides a fascinating insight into their friendship and work
“Having pulled you in, it holds you all the way to the final moment… An unusual Sacre for sure. But also one with a rare beauty.”