Boîte-en-valise: a celebration of Goyo Montero’s 15 years in Nuremberg
Snippets of signature works by other noted choreographers that have helped define the company, plus Montero’s own, new, Boîte-en-valise
Snippets of signature works by other noted choreographers that have helped define the company, plus Montero’s own, new, Boîte-en-valise
There are changes but… there are swans. There is a lake. There is an Odette in white, and a Siegfried who falls for an Odile in black.
Absolutely and unashamedly classically-focused. Even the student choreography. The contemporary pieces were clearly classically underwritten too
An enjoyable and interesting evening with the focus on duets and the more contemporary end of the spectrum, and only one firework pas de deux.
While Sophie Martin is a commanding presence as Elizabeth, albeit someone aloof and alone… it is Bridgett Zehr as Mary who stalks every scene
Sleek, slinky and smooth, sophisticated yet playful, Stina Quagebeur’s Deviations feels like peeking in on an easy going jazz club.
Right from its premiere in 1913, ‘Sacre’ has broken with tradition, challenging listeners and viewers, often very successfully. And it does here too
It demands precision. It demands total commitment. And it got all three in full from Gauthier Dance. The beat never stops, and neither do they.
Glen Tetley’s Voluntaries is intensely moving. The dance soars literally, in its cruciform overhead lifts, and in its spirituality.
“Very much rooted in the actuality of people as human beings… a journey… through the development of identity and who we are.
Opera House, StockholmMay 26, 2023 Kenneth MacMillan’s Manon created in 1974, continues to weave its magic providing a slew of dramatic roles against a volatile and violent backdrop. The Royal Swedish Ballet, founded in 1773 and celebrating its 250th anniversary this year, first presented the ballet in 1980. It makes a welcome return. The central … Read more