Birmingham Royal Ballet announces Black Sabbath – The Ballet
Featuring eight Black Sabbath tracks alongside new music, Birmingham rock meets Birmingham ballet this autumn. Choreography by Pontus Lidberg
Featuring eight Black Sabbath tracks alongside new music, Birmingham rock meets Birmingham ballet this autumn. Choreography by Pontus Lidberg
The new company, featuring 12 dancers aged 18-22, will make its debut in Northampton on April 25, before heading off on a UK tour.
A conversation with Les Ballets Jazz de Montreal artistic director Alexandra Damiani. “Dance Me allows Cohen’s music and songs to shine.”
A conversation with Debbie Norris, founder and artistic director of Ballet Folk, whose The Tears of Jenny Greenteeth is on in London on February 2
The extended version has kept the upbeat, uplifting feel of the original, with the nature of the music is as important as ever, she says
“It all began with a dream, I guess,” says Putrov, who explains that then, as now, the idea was to showcase the development of men in ballet
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute
Watkins’ appointment as ENB’s 11th artistic director sees him return to the company, having previously danced with them thirty years ago