A picture of people who breathe and feel, suffer and love: Jiří Kylián’s Forgotten Land comes to Birmingham Royal Ballet
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
In conversation with the choreographer’s assistant, Cora Bos-Kroese, ahead to the company’s first ever staging of a Kylián work
A conversation with choreographer Morgann Runacre-Temple and BRB principal dancer Tzu-Chao Chou
The costumes are extraordinary, among the most striking and unusual ever conceived. Even a hundred years later, they look strangely futuristic.
Some great shows, but visitors down. The soaring cost of accommodation, which has long been a problem but it is starting to get acute
Watkins’ appointment as ENB’s 11th artistic director sees him return to the company, having previously danced with them thirty years ago
A conversation with Jasmin Vardimon about her new production, ALiCE, and a look at her company’s fabulous new creative hub in Ashford, Kent.
Christopher Hampson talks about Scottish Ballet’s new Coppélia by Jess and Morgs that premieres at the Edinburgh International Festival
Classical ballet dominates even more than usual, although this is likely a consequence of the unique circumstances of the year.
“Trying to expand the range of work, having a whole range of experiences that pushes the art form forward, I think is crucial to us going forward.”
A conversation with New English Ballet Theatre founder and artistic director Karen Pilkington-Miksa about the company’s summer 2022 season.
The Royal Ballet tops the list with a total of 17 nominations, followed by English National Ballet and New Adventures (7 apiece)