The Royal Ballet: Like Water for Chocolate
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
As entertainment, Like Water for Chocolate succeeds. It is a rich, magical, exotic tragedy. But in terms of substance, it remains at the surface.
Best Male Dancer jointly awarded to Tommy Franzén (hip hop) and Aakash Odedra (kathak), with both also winning performance awards.
June 25 and 26 sees the first London edition of Gala de Danza. David Mead looks ahead to the event with founder and producer Christina Lyon
Nemesis is a real juicy nugget of a work, one that makes you want to see more of Ihsan Rustem’s choreography and Ballett Augsburg.
Not only a super demonstration of the range of his output, but the title encapsulates neatly his journey from classical ballet to musical theatre.
The Royal Ballet tops the shortlists with eleven nominations, followed by seven for English National Ballet
Watching new choreographers trying their hand… you realise what a supremely difficult art choreography is. But what joy when the elements align
World premieres by Wayne McGregor, Cathy Marston, Akram Khan, León-Lightfoot, and a first Royal Ballet presentation by NYCB’s Justin Peck
Anna Rose O’Sullivan stole the performance with depiction of a headstrong, intuitive, naïve, madly in love teenager
In Minotaur… choreographer Kim Brandstrup has all he needs in three remarkable dance artists and an eloquent dance language.
Marianela Nuñez’s several-years-later Act III pas de deux with Lukas Bjørneboe Brændsrød’s Prince Gremin was a thing of sublime beauty