Humanity at its most vulnerable: Akram Khan’s Xenos
At this time of heightened awareness of our environment and mortality, Xenos proves indisputably that art is what makes us human
Sadler’s Wells
A festive tale to make you think: Arthur Pita’s The Little Match Girl
When you find yourself engrossed once more by a work you’ve seen several times previously, it’s a sure sign it’s something special.
Elemental rawness: Akram Khan’s Outwitting the Devil
Each of the six dancers has an original movement quality, harnessing the energy of a coiled spring and combining fluidity and strength
A bold, risk-taking, heady mix: Birmingham Royal Ballet’s Curated by Carlos
A programme that sees Birmingham Royal Ballet moving into the top league. Alessandra Ferri’s beauty permeates the stage like a heady perfume
Exploring the possibilities: dance and new technologies
The European Dance Hackathon: about thinking about the dance of tomorrow; to imagine the future of dance by combining it with new technologies
Dimitris Papaioannou’s Transverse Orientation
Scenes are variously dream-like, surreal, absurd and disturbing, but always beautiful and eye-catching
An intimate delve into Soho’s underbelly: Matthew Bourne’s The Midnight Bell
The world of showbiz falls away and the dancers present the fragmented tales that lurk in Soho’s underbelly
Jeffrey Cirio mesmerises in Akram Khan’s dark and chilling Creature for English National Ballet
Pathetic one minute, powerful and determined the next, his Creature is a tortured soul, but one still with feelings
Hofesh Shechter Company: Double Murder
The Fix, brings a complete change. I found it remarkably compelling, Dancers embrace. Touch is tender. Moments hint at love, loss and shared experience
Old favourites overshadow new work: Ukrainian Ballet Gala
Ivan Putrov assembled some of his country’s finest dancers alongside others in an ambitious and largely enjoyable evening
Viewing the human condition through the lens of recent events: a look ahead to Motionhouse’s new show, Nobody
A show driven by the raw emotion of recent experiences but with an upliftng end. Kevin Finnan promises audiences will relate to what they see and be moved by it