English National Ballet’s Nutcracker: a box of confectionary delights
It does look absolutely terrific. It brims with colour and life at every turn. There’s a light touch to the story and dance… Easy on the eye couple of hours.
It does look absolutely terrific. It brims with colour and life at every turn. There’s a light touch to the story and dance… Easy on the eye couple of hours.
Iain Mackay may have only recently become artistic director of the Royal Ballet School but, undaunted, has already upped the game by a large margin
The company are set to perform works by Martha Graham and Crystal Pite, a new ballet by Kameron N. Saunders, and some old favourites
This much needed new production looks a treat… Paul Pyant’s video design is very good… Dick Bird’s sets are glorious… Act Two is a riot of colour
A celebration of black dancers past and present. “A packed evening of a dozen short dance works brimming with talent.”
A ballet of fine intentions. A ballet of plenty of fine moments that, at times, is quite powerful. But also one in need of stronger thread to hold it together
David Mead talks to Wubkje Kuindersma and Seeta Patel, two of the five female choreographers for BRB’s new ‘Luna’
The highlight of the company’s inaugural programme is undoubtedly Kenneth MacMillan’s Ballade.
High standards and diverse repertory, including the much awaited revival of Kenneth MacMillan’s Ballade, and Arielle Smith’s new Five Dances
Ahead of its extensive UK and overseas tour, David Mead talks to London City Ballet artistic director Chris Marney about the company’s relaunch.
Premiering in Birmingham (October 3-5, 2024) before moving to Sadler’s Wells (October 22-23), Luna is a two-act abstract ballet in six movements