Focus Dance Company 2024
Six works by students alongside Self-Portrait by Hung Tsai-hsi and Hofesh Shechter’s powerful In Your Rooms. The dancing was top drawer
English National Ballet in Johan Inger’s Carmen
There is definitely a sense that we are observing a community living on the edges of society and, for all Inger’s protestations…, it is clearly gitano
Paris Opera Ballet: La Fille mal gardée
Hortense Millet-Maurin, a tiny spitfire of a dancer who has a deft touch with comedy and big eloquent eyes, was a witty Lise.
Sydney Dance Company: Ascent
classic contemporary dance, a work of conceptual dance/art and a breakdance-inspired close, all invested with Antipodean energy and commitment
Moments in relationships and something of ourselves: Pett|Clausen-Knight on IMAGO
Maggie Foyer talks to James Pett and Travis Clausen-Knight, whose IMAGO receives its UK premiere on April 26 and 27.
Balanchine, Forsythe and Foniadakis in Hong Kong Ballet’s The Rule Breakers
A triple-bill of Balanchine’s Serenade, Forsythe’s In the Middle, Somewhat Elevated, and the new Strangelove by Andonis Foniadakis
Something special: Syncopation
Syncopation deserves to be picked-up and transferred to the West End. Seldom have two performers, or a musical play, deserved it more.
Macmillan short works celebrated by The Royal Ballet
This triple bill of Danses Concertantes, Different Drummer and Requiem gives evidence of the breadth and depth of his creative talents
Osiel Gouneo, Black Romeo, a biography
“My way into the white world of ballet,” well summarizes his story but the biography… also gives a rare insight into what it means to be a dancer
Dance and theatre gold: Crystal Pite and Jonathon Young’s Assembly Hall
A dance production that truly speaks to the ills of contemporary society and that is not afraid to make us laugh along the way.
Company Wayne McGregor in UniVerse: A Dark Crystal Odyssey
If you can endure the unnerving projections and the musical scares… the brilliant dancers make it a satisfying experience