National Youth Ballet: Evolving Visions
A happy couple of hours in the company of some very talented young dancers, whose joy and enthusiasm reached across the footlights.
A happy couple of hours in the company of some very talented young dancers, whose joy and enthusiasm reached across the footlights.
High standards and diverse repertory, including the much awaited revival of Kenneth MacMillan’s Ballade, and Arielle Smith’s new Five Dances
The final number apart, it’s not glitzy and it’s not glamourous but it is a terrific piece of theatre. And the singing and dancing are top-notch too.
This is a group of fierce individuals, each with their own style and story, and yet their ensemble work is outstanding
The dancers are outstanding. Their coherence was stunning, creating visual effects by moving as a group, shaping and reshaping
A very special evening at Sadler’s Wells as nine youth dance companies from all over England came together in an initiative to celebrate creativity
The third year’s classical work was Les Patineurs (1937), and then Pina Bausch’s Tannhăuser Bacchanal (1972), a fascinating piece of dance history
Excellent dancing, good choreography, efficient storytelling. And specially commissioned music. All rather impressive for a first outing by Ballet MAR
The standard was uniformly high although, as in the past couple of years, it was the men, who got two pieces all to themselves, who thrilled
Forget any preconceptions you might have about ‘children’s ballet’… a stunningly professional show… a super evening’s entertainment.
What one remembers from this Carmen are the ensemble scenes. I don’t know what they were on, but their energy and stamina were incredible