The Royal Swedish Ballet in Tamara Rojo’s Cinderella
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
The new storyline works well for this shorter version of under two hours but Rojo tries to fit in far too much at the expense of phrasing and structure
The Kittelberger/Osipova partnership has created on-stage dynamism before and does so again. A must-see.
It really does look a picture. Jérôme Kaplan’s set designs are simple yet evoke brilliantly. The music too, is an absolute delight…
“A standout in its very distinctive strangeness… a delicious mix of outrageous comedy with some very neat choreography snuck in between”
The choreography may often be busy and fast-paced, but the dancers rise to it with energy levels that need to be seen to be believed.
David Mead is at the National Showcase – an evening of impressive dancing all round – and talks to co-creators Julie Bowers and Brandon Lawrence.
The USA born dancer gave an outstanding performance, delivered with the presence of a true danseur noble
An evening of goodwill and youthful enthusiasm bringing together six of Britain’s top dance schools to show support for Ukraine
An explosion of strong and lively colours; a visually stunning production that leaves a lasting impression for audiences to take home and savour
A work that is confrontational, sometimes exhausting to watch, but ultimately exhilarating.
The haunted soundscapes, choreography, locations and camerawork combine to create the feeling of dark drama: Nordic Noir come to dance