Ballet rocks! Birmingham Royal Ballet’s Black Sabbath
I don’t recall a Birmingham ballet evening like it. An evening of surprises. A real celebration of the band and its music. And of dance.
I don’t recall a Birmingham ballet evening like it. An evening of surprises. A real celebration of the band and its music. And of dance.
Although the scenario is rich with possibilities, director Stephane Mohr fails to exploit them. With Aurélia Thiérrée and Fukiko Takase
The couple created an intimate relationship. One sequence of coming together and drawing apart… was surprisingly compelling.
Hopes were up. ENB have been riding high of late, with particularly strong dancing from the men and exciting choices of programme.
Seventy minutes of colour: in light, costume and video design, and movement… The dancers are superb, individually and collectively.
The hip hop dance sections are terrific. Tightly choreographed, tightly danced, they bristle with energy and togetherness.
Written by contributors from across the globe, a new book that offers a look at dance in 25 countries and cultures.
Another show and more last-minute programme and cast changes with no apology given. But at least it meant we got to see Dancing Spirit again
As dancer Constance Stamatiou says in the programme notes “…this was such an amazing performance you have to go.”
“Alvin Ailey never misses.” Anna Pujol Castiblanque reports on a programme that includes Kyle Abraham’s new Are You in Your Feelings?
Ailey’s Modern Masters programme entertains. Unashamedly so. It’s easy on the eye. On the ear too. And the dancers are fabulous.