Sound and movement: MOS by Ioanna Paraskevopoulou
They create their soundtrack using a variety of everyday objects and materials scattered around the stage that looks like a… children’s playground
They create their soundtrack using a variety of everyday objects and materials scattered around the stage that looks like a… children’s playground
You can’t deny it’s a crowd-pleaser. Sunny and warm, full of dancing bullfighters, gypsies and other locals, Don Quixote is real feelgood ballet
There are lots of lifts and combinations. Unfortunately, they are repeated and repeated in sequences that themselves also become repetitive
Su Pin-wen (蘇品文) and Alexandre Fandard are engaging performers with considerable stage presence. Yet both works, failed to deliver fully
A complete unity, where everything is slotted-in and tied together so profoundly that it is hard to imagine them as separate entities
Pick of the evening was Robert Battle’s The Hunt. About the predatory side of human nature, it’s intense. Very intense.
Boy’s Khaya has dance, music and spoken text but the elements do not always find themselves on the same page.
It was a very impressive two days programming. Noise, colour and community. Innovation and creativity.
A new season mixing classical, neoclassical and contemporary dance, well-known works and new choreography gets off to a fine start
Most interesting of the fifteen excerpts and pieces danced, were the unknown. The undoubted highlight was Servant of the Muse by Volha Kastsel
An exploration of mortality and how we say goodbye, it is very poignant and thoughtful at times, but there’s also a lot of fun along the way.