Eun Me Ahn Company: Dragons
Seventy minutes of colour: in light, costume and video design, and movement… The dancers are superb, individually and collectively.
Seventy minutes of colour: in light, costume and video design, and movement… The dancers are superb, individually and collectively.
The hip hop dance sections are terrific. Tightly choreographed, tightly danced, they bristle with energy and togetherness.
Written by contributors from across the globe, a new book that offers a look at dance in 25 countries and cultures.
Another show and more last-minute programme and cast changes with no apology given. But at least it meant we got to see Dancing Spirit again
As dancer Constance Stamatiou says in the programme notes “…this was such an amazing performance you have to go.”
“Alvin Ailey never misses.” Anna Pujol Castiblanque reports on a programme that includes Kyle Abraham’s new Are You in Your Feelings?
Ailey’s Modern Masters programme entertains. Unashamedly so. It’s easy on the eye. On the ear too. And the dancers are fabulous.
In ‘The Romeo’, Trajal Harrell combines voguing with bizarre and fascinating outfits in choreography full of fluid, wavy, undulating movement
It was good to witness some excellent dancing and well-thought choreographies.
The energy and courage of the dancers is a joy to watch and director David Halberg has a company to be proud of
Paris Fitzpatrick and Cordelia Braithwaite danced the title roles with a totality of emotional commitment that was, at times, almost overwhelming.