GöteborgsOperans Danskompani: Skid and SAABA
Damien Jalet’s vision of dance is borderless, and he seems the right man to place dance on a slippery slope and stimulate questions
Damien Jalet’s vision of dance is borderless, and he seems the right man to place dance on a slippery slope and stimulate questions
Isabela Coracy, as Nina Simone, dressed in a gown of African print holds centre stage playing the dynamics with commanding presence
Quite simply, a brilliant piece of theatre, one where the performers don’t move to music but dance the words, physically expressing them in every way
Soft touches ignite new phrases as the dancers look at each other, vigilant of every single movement.
The third programme in this Festival of Korean Dance delivered… skilled craft, intellectual rigour and something distinctive and unusual
A Complementary Set: Disappearing with an Impact by Choi x Kang Project is more of an experimental performance than a dance show…
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
“…Rich in aesthetic charm and delicate beauty… abounds in dramatic moments… absorbs and leads to wonder.”
Danced to piano and string compositions by Valentin Silvestrov, and traditional folk music, it’s a picture of the people behind the headlines
Dance, physical theatre and circus to the National Theater’s black box stage in three, very different, 30-minute works.
Including ‘Sky ~ World challenge in Taiwan~’ by Reisa Shimojima from Japan. A serious theme for sure, but utterly mad and utterly brilliant