London Children’s Ballet: The Secret Garden
Forget any preconceptions you might have about ‘children’s ballet’… a stunningly professional show… a super evening’s entertainment.
Forget any preconceptions you might have about ‘children’s ballet’… a stunningly professional show… a super evening’s entertainment.
What one remembers from this Carmen are the ensemble scenes. I don’t know what they were on, but their energy and stamina were incredible
The highlight was Olivia Chang-Clarke’s new Melody in Three. While classical through and through, dotted throughout are quirky moments that make you smile
What we’ve come to expect from Ballet Nights is quality, variety and difference. This was evident in spades at the fifth presentation.
The ensemble of eight graduate dancers aged 18-23… brims with talent… a fabulous evening, one filled with energy, passion and fine dancing.
A work of subtle developments. Minute movements have great effect, should you make the effort to notice them, to appreciate their value to the whole
Bacchae will stay with me for a long time… but sadly not for the right reasons. And I am still left with the question: Why?
Both specially filmed on location, Cohan’s Portraits is a series of five solos, while MacMillan’s Sea of Troubles is his shot at Shakespeare’s Hamlet
A wonderfully varied, enjoyable evening that mixed out-and-out classical ballet with contemporary dance, although Oslo-based NNB2 had the edge
Escuela bolera, contemporary dance with a Spanish twist, danza estilizada, and of course, flamenco.
Sangeun Lee had emotion in spades, her sharp-edged Odile contrasting starkly with her soft, sad, Odette