Czech visitors thrill at The Grange Festival: National Ballet of Brno in Oktetto
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
A programme designed to show “What we are, who we are, and to give a taste of what we do.” A fine evening of high-quality dancing
The evening rounded off on a high with Rhapsody… Daichi Ikarashi did well, leaping and turning with aplomb
Alter Ego may begin as a performance, its initial solos tightly staged, but as it progresses, we witness a game, a provocative meeting of sorts
The dancers gave generously, obviously enjoying their first time at the Royal Opera House
Memoria de los Sentidos spurns the usual flamenco hierarchy to put the guitar at the forefront with a nod to cante and baille towards the end
Despite the dark and difficult subject matter that is domestic abuse, Khayyam and her five fellow dancers create some beautiful images
It ends with more fabulous guitar playing as Molina appears, dressed bizarrely as some kind of black and red insect. Have we strayed into Kafka?
The costumes are breathtaking, the lighting perfectly captures its changing moods and the dancing, of course, was excellent.
The company are not content with being superb jugglers. There’s a lot of movement skills and comedic flair too
There are shows, and there are events… Royal Ballet principal Marianela Nuñez’ debut with the Paris Opera Ballet was an event with a capital ‘E’
One couple, Breanna Foad and Thiago Pereira stood out, and it was no great surprise when Foad was named Emerging Dancer 2024