Richard Chappell Dance: Hot House
“Incredible dancing, the sheer fluidity of which almost defies description”
“Incredible dancing, the sheer fluidity of which almost defies description”
The highly entertaining show also lovingly mocks acrobatic, contemporary and rhythmic dance. There’s a take on Dirty Dancing, and much more.
The opening performance was a triumph for Viola Pantuso in the title role. She felt real. Alert and bright-eyed… always gentle and courteous
Fine, bright, happy dancing, great characterisations, Osbert Lancaster’s brilliantly sunny designs. Even a super-cute pony. A real heart-warming evening.
Ballet returns to the Royal Shakespeare Theatre with Romeo and Juliet. “It’s fabulous to see it again and its Northern Ballet at their best.”
A double bill of ‘Footprints in Jazz’ and ‘Touches of Miles’, both accompanied by live jazz musicians, adding panache and class to the evening.
High level energy, intense colour and loud sound! A non-stop assault on the senses!
The dancers are outstanding… they brought youthful energy and zest to the stage… outstanding, always fluid partnering, and depth of emotion
Erina Takahashi brought to her rendition of Giselle, a delicacy, intimacy, and freshness… searing dramatisation of the doomed woman
A very intimate and intense love story between two people, who barely touch each other, and express their love through… rollerblades.
An unexpected surprise. The choreography is endlessly inventive, the corps moving seamlessly from interesting shape to interesting shape