vildwerk.: conservation meets dance
A marriage between dance, conservation and wildlife experts. “The dance…was largely very pleasing… The dancing right out of the top drawer.”
Reviews
American Ballet Theatre: Innovation Past and Present
World premieres by Gemma Bond and Kyle Abraham, whose complex and unpedictable Mercurial Son “has lots to see and lots to like”
Abby Z and the New Utility: Radioactive Practice
Mesmerising, infuriating, and riveting in turns, Radioactive Practice is an hour of almost completely silent physical exertion by six performers.
Lost Dog: Paradise Lost (lies unopened beside me)
Plenty of humour as Sharif Afifi portrays a God with all our human vulnerabilities.
New York City Ballet: All-Peck
Everywhere We Go is a ballet that’s never forgets its classical roots, but ballet that’s also very ‘of today.’ The sort of ballet that makes you want to return.
New York City Ballet: Contemporary Choreography
Tiler Peck’s Concerto for Two Pianos is an absolute delight. The intelligently structured choreography is as highly-skilled as the dancing
New York City Ballet: Balanchine/Ratmansky
Concerto DSCH… is a perfect closing number. A quite delicious, sensual central pas de deux is bookended by jaunty, fun and upbeat movements.
Far From The Norm: BLKDOG
An often brutal, yet strangely often beautiful in its way, commentary on childhood experiences and feelings; on the youth of today as they struggle
National Dance Company Wales: Frontiers
National Dance Company Wales attack movement without undermining its lyricism, striking a balance between power and ease that is truly admirable.
Birmingham Royal Ballet: Luna
A ballet of fine intentions. A ballet of plenty of fine moments that, at times, is quite powerful. But also one in need of stronger thread to hold it together
National Ballet of Canada in Frontiers: Choreographers of Canada
Angel’s Atlas by Crystal Pite doesn’t just speak to the viewer, it doesn’t just reach out and touch, it digs deep inside to find the soul.