A Life in Four Seasons: the clearest thing is growing old
The strongest section comes late in the evening. Winter introduces older performers, and suddenly the theme of time gains substance
The strongest section comes late in the evening. Winter introduces older performers, and suddenly the theme of time gains substance
The Royal Ballet dancers looked terrific in both ballets, Salle de Danse in particular a super vehicle for their wonderful physicality.
The three works do not provide much contrast and nothing seemed to speak to the age. The programme seemed empty and superficial.
Stephanie Lake’s Colossus comes to London’s Queen Elizabeth Hall at the end of the month. Zoë Hewitt talks to rehearsal director and original cast member Nicole Muscat, and learns how the London Contemporary Dance School’s graduating dancers are shaping the ever-changing work. Fifty dancers. No exits. Fifty-five minutes of breath, pressure, collision risk and collective … Read more
As Ballet Black marks 25 years of pushing at barriers and making innovative new work, David Mead talks to founder and artistic director, Cassa Pancho
Making her debut as Lise, Mayara Magri was technically flawless. Her dancing was a thing of beauty, her partnership with Leo Dixon wonderfully assured
A high-energy fusion of hip-hop, breaking, street dance and live funk music… a lively, skilful and exhilarating evening.
a hugely entertaining, high-energy hour of physical performance that sits somewhere between street culture, contemporary circus and dance.