Returning to artistic directorship: a conversation with Cathy Marston
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
Marston says, she hopes to “develop and nurture a creative group of individuals, where each single dancer stands out on stage.”
A journey through heartbreaking emotions. As the Cellist, Guilia Tonelli embodied the indescribable pain of losing everything.
On the Move is not only the title of Ballett Zürich’s latest triple bill… but also a description of the momentary state of affairs at the company.
Complex and a real puzzle, for a while, Spuck’s ballet is very disorienting although it does become increasingly clear as the familiar starts to emerge
She will take over as new Ballet Director and Chief Choreographer for an initial period of two years, starting from the 2023-24 season
A deep, dark exploration of the soul
Birth and death are joined in one eternal cycle
Messa da Requiem, Nutcracker and Romeo & Juliet
A keen insight into the man and the artist